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SPRING-SUMMER FASHION AND STYLE
2004
LOGO A GO-GO Designer's
mark gives a feeling of power, luxury
By Chandra Orr Copley News
Service
Once again, the fashion world is loco for logos.
With the resurgence of designer emblems last summer, capped by the ubiquitous
multicolored Louis Vuitton handbags made popular by Jennifer Lopez,
fashion-forward women coast to coast are now sporting logo handbags from every
major design house -- but Vuitton still reins supreme.
"I would say that now Louis Vuitton is the big push in fashion, and by next
season it's going to dominate the market," said Sharon Haver, style director of
online fashion magazine FocusOnStyle.com. "The fashionistas, when it comes to
wearing logos, pretty much only wear Louis Vuitton. It just has a cooler
cache."
While those on the coasts are sporting Louis Vuitton, according to Haver,
Prada, Fendi and Gucci rule the Midwest. Yet regardless of locale, one thing is
certain: logos are hot -- and logo handbags are the coolest of the cool again
this season.
But the logo craze is nothing new. Remember the decadent '80s?
"Logos are a real status symbol, coming and going as the economy ebbs and
flows," said Rachel Weingarten, noted trend expert and fashion director of
online style guide AirKisses.com.
"Since Sept. 11, we've been really low-key. We stayed home, and people didn't
feel right about shopping. It was back to the basics," she said. "But we're
hoping the economy is on the way up and we are ready to emerge from this really
dark time. Some people are ready to spend and spend big -- and how do you spend
bigger than these designer logos?
"I think people just want a return to the over-the-top," she said.
According to Haver, the fluctuating popularity of logo-embellished items is
just part of the natural fashion cycle.
"People get bored and they want something different, then it comes back in
style," she said. "It's a particular type of business and it comes and goes in
waves like anything."
However, according to Weingarten, the logo obsession is more than just simple
economics.
"We used to keep our labels inside our clothes," Weingarten said. "Then
suddenly our labels were outside our clothes. You see that people have to define
themselves no longer by who they are or what they are, but by what they
wear."
Haver agrees that logo-embellished items are meant to send a specific
message.
"People find some status and fashion in the logo bag. It does quickly convey
the message, 'I've made it, I have enough money to buy this bag,'" Haver
said.
"There's always going to be a customer for the logo bags. They're power bags.
Everyone identifies with this logo and assumes the person must have some class,"
she said. "They always will be there for that reason -- like the man with the
power tie, it's the woman with the power bag," she said.
"I sometimes feel like these things aren't so much about declaring a personal
style, but making others feel bad that they don't have the items," Weingarten
said.
"The people who look the best and dress the best know their limits. They know
their style and they go with it," she said. "Paris Hilton may have the money to
afford what she wears, but she looks ridiculous."
Often, it isn't what you wear, but how you wear it, she said.
"I think, as with everything else, it's about attitude.
"Let's say you want to buy one designer logo piece. You go to Hermes, and you
invest in a scarf -- a crazy, whimsical scarf -- and you wear it as a scarf and
on your hair and on your belt," she said.
"It's really choosing one thing to focus on. If you're going to spend, choose
something you're going to wear a lot," she said. "It doesn't have to be
ridiculously expensive."
Opting for versatility also carries with it protection from fashion victim
status.
"Certain styles and fabrics have become classics, that's why the designers
are coming out with really quirky lines -- they want to keep selling products,"
Weingarten explained. "The designers want these specific logo designs to last a
season."
© Copley News Service
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